#82 RME ADI-8 DS teardown and repair

 A seller on eBay had had a couple of these units listed as faulty for a few weeks, and once i had a bit of spare cash, i decided to take the dive and snap these up. The impetus was two-fold - on one hand, as it turns out, there seems to be a bit of a "disease" going around with power supplies in RME rack units; and on the other hand not long ago, i had noticed an ad from a person in this area actually looking to buy exactly one of these units.

Some extra motivation was prompted by looking up some prices for this thing. Borderline-eyewatering, i'd say. It seems to have retailed somewhere in the 1500e area at launch (1280GBP in 2003), and still selling for anything between 500-800e used (on Reverb.com or Milk Audio Store). Gulp.....

The shipping time was spent more or less being anxious whether i had bought a couple of lemons (for all i knew, the power supplies were missing altogether), or whether i would manage to catch a break and manage to fix these up easily and make some extra cash for the holidays.

#81 MOTU Traveler teardown & upgrade

As a follow-up to the recently posted MOTU Ultralite teardown, i had to grab this as soon as it popped up in my search results, because it had a price i couldn't ignore or refuse, and it had the ideal feature set for recording my band's jams and rehearsals. While the former had most of the features i needed in the 828mk2 i had been using, but in a smaller form factor, this Traveler packs more of the features i need (two extra mic preamps, while retaining the -10dBV/+4dBu line inputs with optional 6dB boost), in an intermediate form factor, as well as having a full 53dB of gain available on the mic preamps, but without weirdo custom potentiometers to wear out. Just about best of all worlds, really, especially for the paltry 85e this cost me. And as the cherry on top, it even has a separate battery input - hello, fully mobile recording sessions...

 

 

#80 MOTU Ultralite teardown

In an interesting turn of events, i actually did NOT get this one as faulty. It was more to relieve one of my 828mk2's from rehearsal-place-recording duty, and on the other hand, i managed to get it for quite cheap. In the context of, faulty ones had similar asking prices, so there's that.

#79 Focusrite Saffire 6 USB 2.0 repair

 Ok, this is gonna be a bit of a quickie. Basically, i got this one ridiculously cheap as well, with the intention of repairing it and gifting it to the new singer in my significant other's band, in order to facilitate more productive creative work. Just like the first one i did a teardown on and then modded, this was sold as faulty, but with more... obvious issues, let's call them.

#78 Focusrite Saffire 6 USB 2.0 modding (adding a battery)

And here we are, on the third and final(?) part of the modding journey involving this little fella. As presented in the previous post, i managed to "persuade" the thing to power up fully despite not being attached to a computer, only to a USB-connected 5V source. But now, the time has come to integrate what is virtually a "power-bank", within the enclosure, and thus have the Saffire be entirely "self-sufficient", as it were.

#77 MOTU Ultralite mk3 Hybrid part one: teardown

Yet another score from the "morgue" - this time around, a feature-packed little bundle of audio joy, namely a MOTU Ultralite mk3 Hybrid. This was up for sale as "no longer powering up", and for a two-figure price, i couldn't pass it up.

#76 Fractal Audio Axe-FX II teardown and repair

A couple weeks back, an acquaintance contacted me about his Axe-FX II suddenly not powering up anymore. I saw this as an opportunity to at the very least take a peek under the hood of one of these things (still selling for four-figure amounts), so why not?

I had neglected to snap photos of the outside of the thing (because other priorities), so you'll have to settle for some "stock" shots. Not that there's anything overly interesting to see anyway.

#75 Focusrite Scarlett 2i4 (1st gen) teardown & repair

Perhaps a bit anachronistically, only *after* getting my hands on the previously-torn-down 2i4 gen2, i also came into the possession of a 2i4 gen1, that was no longer being detected completely / correctly by the computer. But hey, better late than never, right? I also grabbed a working one (because the price was near-irresistible), to have a known-good source for the firmware, in case that was the issue.

#74 Focusrite Saffire 6 USB 2.0 modding (for stand-alone operation)

First of all, the main issue with using this stand-alone (without a computer) is that the Xmos controller only enables the analog power supplies (the two MIC2505's and the LM3488) once it's done whatever handshaking it needs to, with the computer. But since i'd only need / want it to act as a rudimentary preamp / mixer / headphone amplifier, i kinda-sorta need the analog supplies working.

#73 Focusrite Saffire 6 USB 2.0 teardown

Initially, i was thinking of getting and modding a Scarlett 2i4 to use as an updated and more flexible in-ear headphone amp, to replace my aging modded M-Audio Fast Track (incidentally, the subject of the very first article on this blog). I even ended up with two 1st gen ones as well as two 2nd gen ones. But recently, i came across yet another deal i couldn't pass up - a Saffire 6 USB for a nearly ridiculous 36e, shipped(!). Virtually the same structure as the 2i4's, but i can definitely get more money (back) from reselling those, and keeping the Saffire. That, and i had come across instructions for a mod to the Saffire 6, to enable stand-alone operation.

#72 MOTU 828 mk3 teardown

Yet another eBay score - caught this one with a blown power supply. Blown, as in, skidmark inside the casing, circuit board scorched, tracks vaporized. But maybe i'll make that into another article on its own, someday. In the mean time, let's take a peek under the hood of one of these arguable "classics".

#71 Shure 55SH Series II "Elvis mic" teardown & repair

The practical side of this one was performed and documented a couple months back, but since i've had this back-log to work through, the text is only getting written now. But good things come to those who wait, right? Or so i've heard...

Regardless, i couldn't not grab this deal when i saw it. A shure 55SH "Elvis mic", with allegedly low(ered) output, for 75eu shipped (considering it retails around 160-ish). Now, granted, i HAD peeked around the interwebs beforehand, and it seemed that, at least in some cases, the on/off switch could be a suspect. But on the other hand, even IF the capsule itself turned out to be a dud, i could still MacGyver another capsule in there, one way or another (possibly from a Grundig GDSM-202, but shhhhh!...). Aesthetically it was in good shape, so why not?

#70 MOTU Audio Express teardown

This summer's "already" been quite fruitful, gear-scoring-wise anyway. This find cost me a colossal 86eu, with allegedly none of the outputs working. This, in the context of it retailing for a somewhat eye-watering 500eu(!!!) or thereabouts, brand new. On the bright(?) side, it came with the original packaging, manuals still in their plastic bags, as well as a USB and a Firewire cable to boot, both also still factory-packed. So why not?

#69 Focusrite Scarlett 2i4 (2nd gen) teardown & repair

For a little while now, i've been thinking of "upgrading" from my old-but-modded M-Audio Fast Track to use as an in-ear monitor amplifier, and the Scarlett 2i4 caught my eye. The mono/stereo direct-monitor selection, as well as the hardware-switchable pads on the inputs made up just the right feature set, in addition to it being usable as a mobile recording interface. As it happens, just the other week, mere days after having saved an eBay search for 2i4's, an email notification revealed a 2nd gen allegedly-faulty unit being up for sale from Italy. I quickly asked the seller about shipping costs, and ended up sealing the deal for an even 50e. 

#68 Alesis M1 Active Mk2 rehabilitation, part one

Over on the Badcaps.net forums, a thread was started all the way back in 2010, about power supply issues in these arguably "classic" low-cost active studio monitors. It even ended up being stickied just this winter, so it's been quite active and useful. It served as motivation for myself, to take up hunting for faulty ones - not sure if i had gone through three pairs, but at least two pairs i revived and sold off to a couple friends, some 7-8 years ago, and to this day i've yet to hear back about any further issues, so i take that as a good sign. In the mean time, i still contributed with thoughts and advice there, which helped lead to several successes.

Recently, a fellow forum member there got fed up with his failed attempts to revive his pair of monitors, and got himself a pair of new ones. In that context, we struck a deal for the Alesis'es, and a few weeks later, here they are.

#67 Audient iD22 part 2: the repair

 And now, getting back to the issue affecting this unit... As pointed out in the ad, the LT3439 apparently used to have a piddly little heatsink glued on top of it, but it got detached. Now, there's a chicken-and-egg type mystery here - did the heatsink glue fail because the chip overheated in the first place? Or did the chip get fried because the heatsink fell off? Regardless, investigation showed that one of the two switching transistors inside the chip seems to be stuck in a conducting state, despite the transistor itself not being shorted, though. But since it handles all the power for the analog circuitry, it's no shocker (no pun intended) that only the digital ins & outs work. 

#66 Audient iD22 teardown

Despite having hoped to nab an Audient interface for some time now, only quite recently did i manage to get my hands on one. Since i'm a cynical... [ahem] person, after having heard several notable(?) audio engineering channels over on Youtube ranting and raving about these, and the "Audient console preamps", and the "discrete JFET DI" and whatnot, my curiosity was indeed itching to see if and how the reality lives up to all the hype and marketing. 

#65 Focusrite Saffire PRO 40 teardown & repair

Ok, time for some nostalgia. My first "big" interface (as in, not just a little 2in/2out jobbie) was a Saffire PRO 40, that i bought retail, brand new, back in 2011 - spring, if memory serves. I mostly used it as an interface at home, tracked a couple rehearsals with the band i was in at the time, then later it got "demoted" to additional-preamp to a Saffire PRO 26io that i briefly owned, before it got sold off when i got my MOTU 896mk3 Hybrid.

This one i grabbed as faulty off eBay, yet again. Another one of those "too cheap to pass up" sort of deals. The listing contained a confession that the seller had (unsuccessfully) attempted to replace the Firewire chip, and he also provided a photo of the affected area. I won't lie, it kinda hurt a tiny bit to see a couple of torn off pads, and a few others lifted and mangled, but at the same time, it also didn't look to be entirely beyond hope. I figured with some determination and a bunch of patience (for "cosmetic / reconstructive surgery"), it could be returned to full functioning.

#64 Vocaltone D7 microphone (Shure SM57 clone) teardown & measurements

Literally last week, a local friend gave me a heads-up on a ridiculous sale that a big electronics retailer nearby was having, on some knockoff Shure microphone clones (of the SM57 and SM58, specifically) - normal price 39,90e; discounted price 10e(!!!). I grabbed three, right off the bat, with the intent of borrowing a legit SM57 and doing some measurements. But then i figured, why not make an article out of it?

But i've got big(?) plans for these, more or less. There's method to this madness, though...