This one's a quickie, but i figured i might as well document it.
A friend passed me this a few weeks ago, not quite sure why. I don't recall it being mentioned as dead, only not-used. Either way, last night i wanted to charge the battery inside my modded M-Audio Fast Track, in preparation for a local gig next week. Upon plugging it into this thing, the power LED flashed up for an instant, then nothing. I figured it might not like the USB data lines being tied together, as they often are, in chargers; it powered on and worked well with another charger. But that prompted me to crack this one open.
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Monday, 19 February 2018
Wednesday, 7 February 2018
#26 Cheap & easy DIY LED light panels
Recycling's all the rage nowadays, right? Right..? Well, either way, freebie raw materials for projects are always welcome, that's something i'm pretty sure we can all agree on. Now, i'm not admitting to be a hoarder, far from it, but i kinda-sorta couldn't bring myself to throw away the dead (read: cracked) laptop LCDs that i had replaced for various clients at work. And what with "finally" expanding this blog onto YouTube, i figured i'd need some extra lighting for the workbench. Catching my drift yet?
Tuesday, 14 November 2017
#25 Behringer ADA8000 "Ultragain Digital" revival
I got my hands on one of these Behringer Ultragain Pro-8 Digital a few months ago, as faulty (as in, totally dead) for about 50$ shipped. Having done some preemptive googling before going for it, i was expecting the transformer to be toasted. Sure enough, that's exactly what the problem was - one half of the center-tapped primary measured in the hundreds of kohm, so pretty much open-circuit (as opposed to the 50-odd ohms the remaining good half measured).
Initially i was planning on finding / getting a "drop-in replacement" toroidal transformer, ie. similarly sized physically and power-wise, but with less insanely-high secondary voltages. The stock one, according to some "inspection notes" i found online, seems to have had roughly 2x20VAC windings for the analog +/-15V (meaning the voltage regulators had to "burn off" uselessly much power / voltage), 12VAC for the 5V regulators, and a whopping 58VAC winding for the phantom power regulator. That's about a 50% overkill across the board. One can only wonder just what possessed them to spec the transformer quite like that, especially since it must've been a custom order - you'll rarely find retail units with more than two (identical) secondary windings, and when you do, expect to pay a pretty penny for'em.
Initially i was planning on finding / getting a "drop-in replacement" toroidal transformer, ie. similarly sized physically and power-wise, but with less insanely-high secondary voltages. The stock one, according to some "inspection notes" i found online, seems to have had roughly 2x20VAC windings for the analog +/-15V (meaning the voltage regulators had to "burn off" uselessly much power / voltage), 12VAC for the 5V regulators, and a whopping 58VAC winding for the phantom power regulator. That's about a 50% overkill across the board. One can only wonder just what possessed them to spec the transformer quite like that, especially since it must've been a custom order - you'll rarely find retail units with more than two (identical) secondary windings, and when you do, expect to pay a pretty penny for'em.
Labels:
ADA8000,
audio,
Behringer,
Chemi-Con,
MC34063,
MOSFET,
Panasonic,
power supply,
preamplifier,
psu,
PWM,
re-cap,
repair,
solder,
transformer,
voltage regulator
Sunday, 5 November 2017
#24 SM Pro Audio TB202 dual tube preamp / channel strip modding & upgrade, part 4
On the note of front panel switches, you might've noticed two extra ones, in the previous post (the part 3). One other idea had crossed my mind,
already long before this second stage of modding. It took me a little while, but i managed to get my head
around how to implement this. The idea was to be able to swap the order
of the two processors in the signal path.
From the factory, as described in the "part one" post, the processing order is input - gain - tube - compressor - EQ - output. But in some cases, it can be desirable to have the EQ come before the compression stage. That way, one can attenuate certain frequency ranges that one would not want the compressor to react to (or conversely, boost ranges for the compressor to react to).
From the factory, as described in the "part one" post, the processing order is input - gain - tube - compressor - EQ - output. But in some cases, it can be desirable to have the EQ come before the compression stage. That way, one can attenuate certain frequency ranges that one would not want the compressor to react to (or conversely, boost ranges for the compressor to react to).
Labels:
audio,
compressor,
eq,
modding,
preamplifier,
relay,
SM Pro Audio,
solder,
switch,
TB202,
tube,
upgrade,
valve
Sunday, 29 October 2017
#23 SM Pro Audio TB202 dual tube preamp / channel strip modding & upgrade, part 3
Even before having received the thing, i had already started thinking
of daisy-chaining the two channels. In the context of something like a
bass preamplifier, for example, one would want a "clean" channel,
perhaps with some heavy compression, in order to have a consistent
signal (especially in the lower registers), as well as a "dirty"
channel, with a high-passed signal having some distortion applied to it.
Labels:
12AX7,
audio,
LED,
modding,
preamplifier,
SM Pro Audio,
solder,
switch,
TB202,
tube,
upgrade,
valve
Tuesday, 24 October 2017
#22 SM Pro Audio TB202 dual tube preamp / channel strip modding & upgrade, part 2
Once the "adventures" from the previous post were completed, i proceeded to hook up one channel to my audio interface and feed some test-signals into it. This revealed a few things which didn't sit with me all that well.
First of all, the compressor didn't seem to be doing much of anything. No level reduction with the knob turned up to full (even with full input gain and clipping the snot out of the tube), the associated LED stayed green (instead of going red), nothing. A bit of oscilloscope-probing in the signal rectifier area quickly pointed out the issue - there was no real rectification going on. The signal coming out of that stage was still largely sinusoidal, albeit with a small kink at the zero-crossings. Well, that's no good...
Removing the diode in the signal-rectifier for testing didn't reveal anything, it measured as a normal 1N4148 both in and out of circuit. My aforementioned buddy pointed out that the arrangement they had used in this design, a "precision diode" circuit, was somewhat flawed as a concept, as is described in this link over here. I then proceeded to upgrade both channels to the "precision rectifier"circuit (see link above).
First of all, the compressor didn't seem to be doing much of anything. No level reduction with the knob turned up to full (even with full input gain and clipping the snot out of the tube), the associated LED stayed green (instead of going red), nothing. A bit of oscilloscope-probing in the signal rectifier area quickly pointed out the issue - there was no real rectification going on. The signal coming out of that stage was still largely sinusoidal, albeit with a small kink at the zero-crossings. Well, that's no good...
Removing the diode in the signal-rectifier for testing didn't reveal anything, it measured as a normal 1N4148 both in and out of circuit. My aforementioned buddy pointed out that the arrangement they had used in this design, a "precision diode" circuit, was somewhat flawed as a concept, as is described in this link over here. I then proceeded to upgrade both channels to the "precision rectifier"circuit (see link above).
Labels:
12AX7,
audio,
bias,
compressor,
LED,
modding,
preamplifier,
SM Pro Audio,
solder,
TB202,
tube,
upgrade,
valve
Sunday, 22 October 2017
#21 SM Pro Audio TB202 dual tube preamp / channel strip modding & upgrade
<Further developments can be found in parts two, three and four>
I'll admit, this was a bit of a lucky catch, in that it was mistakenly listed in the wrong eBay category, but one i "stalk" for good deals on certain faulty bits of audio gear. It was up for auction, there didn't seem to be much demand for it, and i ended up winning it for a mere 21 euros. About as much as the shipping for it ended up costing, oddly enough.
But still, even for some 40-odd bucks, not a bad little unit. Two channels, a (bare-bones-ish) compressor on each (1.5-10:1 ratio, 1ms/5ms attack, 500ms/1500ms release, at least according to the specs in the manual), as well as 3-band EQ (80Hz shelving / 1.8kHz bell / 8kHz shelving), and there's a tube / valve involved in the circuitry as well. If nothing else, i figured it would do nicely as a bass DI (or even an overdriven preamp, once some internal re-wiring is figured out and done).
I'll admit, this was a bit of a lucky catch, in that it was mistakenly listed in the wrong eBay category, but one i "stalk" for good deals on certain faulty bits of audio gear. It was up for auction, there didn't seem to be much demand for it, and i ended up winning it for a mere 21 euros. About as much as the shipping for it ended up costing, oddly enough.
But still, even for some 40-odd bucks, not a bad little unit. Two channels, a (bare-bones-ish) compressor on each (1.5-10:1 ratio, 1ms/5ms attack, 500ms/1500ms release, at least according to the specs in the manual), as well as 3-band EQ (80Hz shelving / 1.8kHz bell / 8kHz shelving), and there's a tube / valve involved in the circuitry as well. If nothing else, i figured it would do nicely as a bass DI (or even an overdriven preamp, once some internal re-wiring is figured out and done).
Saturday, 21 October 2017
#20 SM Pro Audio TB202 power supply repair
<Some sort of continuation from another post>
Buuuuut that brings us to what might as well amount up to the proverbial "elephant in the room" - the power supply. No markings or label anywhere on it - if i didn't know any better, i could almost say it never had any (no adhesive residues or anything). Fortunately, it was held together with four Phillips-head self-tapping screws, so "disrobing" it wasn't unecessarily traumatic. That being said, what greeted my eyes, sort of WAS.
Buuuuut that brings us to what might as well amount up to the proverbial "elephant in the room" - the power supply. No markings or label anywhere on it - if i didn't know any better, i could almost say it never had any (no adhesive residues or anything). Fortunately, it was held together with four Phillips-head self-tapping screws, so "disrobing" it wasn't unecessarily traumatic. That being said, what greeted my eyes, sort of WAS.
Thursday, 12 October 2017
#19 Takstar / Gear4Music WPM-200 Wireless Monitor System part 3: transmitter mods
And at long last(?), we've reached the point where we take a look at the transmitter end of this wireless monitoring system. Not a whole lot to see on the outside, really: power switch, power LED, channel select rotary switch (1 to 6) on the front, and the DC input barrel socket and the 1/4" stereo input jack socket on the back.
Wednesday, 11 October 2017
#18 Takstar / Gear4Music WPM-200 Wireless Monitor System part 2: receiver mods
Ok, turns out i lied in the previous post, as this part 2 won't be about the transmitter - so sue me...
Either way, into the meat of it: upon some listening tests with music, it turned out the expanders were misbehaving just awfully. They made the volume jump up and down virtually all the time, in a very disconcerting manner - basically briefly increasing the volume (noticeably) upon every louder bass note (and only for the duration), and dropping back down in between.
I took apart one of the receivers, and lifted the schematic of the expander chip and the associated passives around it. Pretty much exactly what's in the datasheet of the TA31101, with the exception of having omitted the coupling capacitor going to the "Comp In" (pin 11), thereby turning the compressor side of the chip into another 1:2-ratio expander, just like the other half.
Either way, into the meat of it: upon some listening tests with music, it turned out the expanders were misbehaving just awfully. They made the volume jump up and down virtually all the time, in a very disconcerting manner - basically briefly increasing the volume (noticeably) upon every louder bass note (and only for the duration), and dropping back down in between.
I took apart one of the receivers, and lifted the schematic of the expander chip and the associated passives around it. Pretty much exactly what's in the datasheet of the TA31101, with the exception of having omitted the coupling capacitor going to the "Comp In" (pin 11), thereby turning the compressor side of the chip into another 1:2-ratio expander, just like the other half.
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