Tuesday, 14 November 2017

#25 Behringer ADA8000 "Ultragain Digital" revival

I got my hands on one of these Behringer Ultragain Pro-8 Digital a few months ago, as faulty (as in, totally dead) for about 50$ shipped. Having done some preemptive googling before going for it, i was expecting the transformer to be toasted. Sure enough, that's exactly what the problem was - one half of the center-tapped primary measured in the hundreds of kohm, so pretty much open-circuit (as opposed to the 50-odd ohms the remaining good half measured).


Initially i was planning on finding / getting a "drop-in replacement" toroidal transformer, ie. similarly sized physically and power-wise, but with less insanely-high secondary voltages. The stock one, according to some "inspection notes" i found online, seems to have had roughly 2x20VAC windings for the analog +/-15V (meaning the voltage regulators had to "burn off" uselessly much power / voltage), 12VAC for the 5V regulators, and a whopping 58VAC winding for the phantom power regulator. That's about a 50% overkill across the board. One can only wonder just what possessed them to spec the transformer quite like that, especially since it must've been a custom order - you'll rarely find retail units with more than two (identical) secondary windings, and when you do, expect to pay a pretty penny for'em.

Sunday, 5 November 2017

#24 SM Pro Audio TB202 dual tube preamp / channel strip modding & upgrade, part 4

On the note of front panel switches, you might've noticed two extra ones, in the previous post (the part 3). One other idea had crossed my mind, already long before this second stage of modding. It took me a little while, but i managed to get my head around how to implement this. The idea was to be able to swap the order of the two processors in the signal path.


From the factory, as described in the "part one" post, the processing order is input - gain - tube - compressor - EQ - output. But in some cases, it can be desirable to have the EQ come before the compression stage. That way, one can attenuate certain frequency ranges that one would not want the compressor to react to (or conversely, boost ranges for the compressor to react to).